Labels

Friday, May 4, 2012

The Dead Genre


     I'm going to come right out and say it: zombies have become the bane of my horror-fan existence. I know, I know, just last week I was gushing about Cabin in the Woods which heavily features zombies, but that's different. The zombies in that movie were incidental to the larger theme, and that's tolerable. But my work as an editor for a horror magazine has made me cringe everytime I see a story that even hints at the Z-word.
    The problem is that the genre has nowhere to go. A zombie piece (be it movie or book) always follows the same formula: there is an outbreak of some kind that causes a zombie apocalypse, a handful of survivors bunker down somewhere but then realize they have to abandon the place, and most of the survivors are killed in the flight. Sometimes there is military-based salvation at the end, but that detail is unnecessary. Even when a new "angle" is presented (such as injecting black humor a la Shawn of the Dead or Zombieland), the plot is still rigidly the same.
    Of course, it's not just the zombie sub-genre that gets this kind of repetitive treatment in horror. Slasher movies are just as bad. Anybody who was alive enough to remember the 80s and early 90s know Freddy and Jason and Michael Myers, although anymore they are more of a joke than anything. That's because their cliched, formulaic movies became so predictable that it was just sad, and now people watch slasher movies usually on the basis of "so bad it's good." For a brief moment there was a revival with the introduction of the Saw movies, but now torture movies as a sub-genre have become just as trite (the term "torture porn" just illustrates how seriously it's not taken).
    I understand why these works keep getting produced. It's the same reason that record companies still insist on churning out records that are either synth-pop or four-piece rock bands. They think the buying public are afraid of anything new (and, of course, they might be right), so they're just going to keep exhausting every conceivable iteration of the same old stuff.
    Zombies really bug me, though. It might be because that's what's "in" right now, an therefore that's what's being driven into the ground (although Hollywood at least seems to have gotten the point and hasn't produced a zombie movie in a while). But it's also because there's really no other option for what to do with the genre. At least with slashers, you could play with some of the details. It could be completely "realistic," where the slasher is just some psycho with a sharp object, or it could be supernatural like the Nightmare on Elm Street franchise. The fact that Saw was able to spawn a sub-genre just shows that there is potential for evolution.
    But what are you going to do differently with zombies? Change what makes them zombies? Well, 28 Days Later gave us "zombies" who are actually plague victims. It's still a zombie movie, though, and follows the formula religiously. You could try having zombies without there being an apocalypse involved, but without the hordes of undead taking over the city, you've just got a slasher movie or creature feature.
    I don't want to just bitch and moan about the current state of the genre, though. Let's be productive, instead. I'm going to challenge myself (and you're welcome to join in) to come up with a way to make zombies interesting again. It may be an exercise in futility, but at least we'll try.

4 comments:

  1. I get what you are saying. There is some weird French film on Netflix that I have not watched, but essentially it was about people who became zombies, but weren't violent, and the people needed to figure out how to house them and get them off the street humanely. I am sure I am doing the description poorly, but you get the idea. It wasn't a horror or action movie, but more of a commentary from what I have gathered. But, at least it was new.
    I am not sure that there is any salvation to the zombie story. Either you contain the zombies and destroy them when they only occupy a smallish region of the world, or you are left with such a small population of the world that there is not enough of a human breeding population to survive.
    The only thing I can imagine is if maybe, like in 28 Days Later, the zombieness is induced by a sickness, and the sickness eventually passes, with the people who were zombies left to struggle with a destroyed world that they realize they were the cause of. Even this has so many dead ends and loose ends, but at least it is a new direction.

    ReplyDelete
  2. No worries, Hollywood is still continuing to run it into the ground as we speak. Now it's just as a TV show instead of a movie. The Walking Dead is still up and kicking, as counter intuitive as that seems.

    ReplyDelete
  3. Dude, I am so freaking sick of zombies, and I blame you. You got me into this magazine thing, now I spend way too much of my life reading semi-literate I Am Legend rip-offs and trying not to throw the laptop out of the window. It's not that I'm complaining, mind you, I just saying that you should give the horror magazine staff a little credit and assume that we've seen Dawn of the Dead (also that we are at least passingly familiar with the works of Steven king and can tell that you're just paraphrasing The Stand).
    When I think are funny though, are the stories that are basically ye olde zombie apocalypse, only with something completely random instead of zombies - like blue rats or moldy bread monsters.
    On a random side-note, I've been thinking lately how the original Buffy movie was more a zombie movie than vampire. Everyone who gets bitten gets turned, the vampires are kind of dumb and hive-minded, etc.

    ReplyDelete
    Replies
    1. That's a good point about the random other monsters in the apocalypse stories. I think *any* apocalypse story is a bit played out by now, no matter what it may be that kills off civilization as we know it.

      Delete